As you change the algorithm, each track will grey out for a short period of time whilst Pro Tools analyses the audio, but very shortly everything will be back online. Now change the track display from Waveform to Warp. You will see a number of warp markers: thin vertical lines which appear where Pro Tools has detected key points in the audio. Be careful: by default, moving one of these will cause all the audio after it to move left and right too!
Instead, hover over an appropriate warp marker and hold down the Shift key. The cursor will change mode: now, when you move the warp marker, Pro Tools will lock the markers both sides of it, and only stretch or squash the audio within these outer markers. To demonstrate how this works in practice, take a look Screens 3A—3C. These show the last phrase, which clearly remains out of time even after the start has been lined up. First, holding down the Shift key, I will move the warp marker at the start of the last note so it lines up with the reference.
The preceding note is also out of time, and moving this note later also has the advantage of stretching the first section and putting it in time. Finally, I need to stretch the last sustained note so that it finishes at the same time as the reference.
I place the cursor at the end of the note, right—click and select Add Warp Marker from the contextual menu. But opting out of some of these cookies may have an effect on your browsing experience. Necessary Necessary. Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Shift-drag the second clip toward the right. All clips lying to the right move to the right. Click the Selection tool, and drag the right edge of the lengthened clip to the right, exposing its trimmed frames.
A white speed-control track appears in the upper portion of the clip, below the clip title bar. Speed keyframe B. White speed-control track C. Rubber band. Drag the rubber band on either side of the speed keyframe up or down to increase or decrease the playback speed of that portion. Shift-drag the speed keyframe to the left or right to change the speed of the portion to the left of the speed keyframe. Both the speed and duration of the segment change. Speeding up a segment of a clip makes the segment shorter, and slowing down a segment makes it longer.
Speed and Velocity values for the Time Remapping effect are shown in the Effect Controls panel for reference only. You cannot edit these values directly there. In the white control track area of the clip, drag the gray-shaded area of the speed transition into its new position. Ctrl-drag Windows or Command-drag Mac OS a speed keyframe both halves to the place where you want the backward motion to end. A tool tip shows the speed as a negative percentage of the original speed.
The Program monitor displays two panes: the static frame where you initiated the drag, and a dynamically updating frame that reverses playback returns to before switching to forward speed. When you release the mouse button to end the drag, an extra segment is added for the forward playback portion.
The new segment has the same duration as the segment you created. An extra speed keyframe is placed at the end of this second segment. Left-pointing angle brackets appear in the speed-control track, indicating the section of the clip playing in reverse.
The segment plays backward at full speed from the first keyframe to the second. Then, it plays forward at full speed from the second to the third keyframe. Finally, it returns to the frame at which the backward motion began. This effect is called a palindrome reverse. You can create a segment that plays in reverse and doesn't return to forward playback.
Use the Razor tool or the Trim tool to remove the segment of the clip with the forward playback section. For more information, see Trimming clips.
A gray area appears between the halves of the speed keyframe, indicating the length of the speed transition. A blue curve control appears in the gray area. You cannot toggle the Time Remapping effect on and off like other effects. Enabling and disabling Time Remapping affects the duration of the clip instance in a Timeline. Once the Time Remapping effect has been disabled, all the keyframes are deleted.
This action deletes any existing speed keyframes, and disables Time Remapping for the selected clip. To re-enable Time Remapping, click the Toggle Animation button back to the 'on' position. You cannot use Time Remapping with this button in the 'off' position.
Changing the default duration of still images does not affect the duration of still images that are already part of a sequence or that have already been imported. Graham on February 27, at pm.
Use elastic time. Marc on August 2, at pm. Thanks for any advice! Graham on August 4, at pm. Marc on August 4, at pm. Graham Cochrane on August 6, at pm. Owen Grech on August 20, at am. Graham on August 20, at pm. Roelof on September 9, at am.
Graham on September 9, at pm. Roelof on September 9, at pm. Im using pro tools 8 m-powered Reply. Graham Cochrane on September 12, at pm. Kai Ballard on September 4, at am.
Thanks, Kai Reply. Darrell Roseborough on November 18, at pm. Eldred Pickett on November 25, at am. Timmy De on January 17, at pm. Submit a Comment Cancel reply Your email address will not be published. Search for:.
About Graham Cochrane My name is Graham Cochrane and I'm the founder of The Recording Revolution, one of the world's most loved audio recording and mixing blogs with over , readers each month.
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