Together with HD SDI output, this provides smooth operation in a live relay and recording system for multi-camera broadcasting and production work.
A variable frame rate VFR function for slow-motion and quick-motion images, and a cine-like gamma setting also bring versatile expression to all kinds of image production. This stunning image quality, operating ease and handheld camera mobility work together to open a new dimension in news gathering and image recording.
What this means in practical terms is that both color rendition, and light compression make a very nice image that looks clean and is easy to edit with. The downside is that this results in a very high data rate, leading to relatively short record times.
These scene files are extremely tweakable allowing you to get just the image you want by adjusting color and gamma levels. The actual horizontal resolution of the HPX is a little disappointing, coming in at a mere lines. Other similarly priced camcorders come in between and What this means is the HPX will tend to look a little less sharp than other camcorders in this range.
Some people like this look as compared to the hyper-real sharpness of higher resolution video. I personally like sharpness so high I can cut myself on it, so this is a drawback for me. This feature adds greatly to the picture quality of the HPX by allowing a higher contrast ratio in the picture than would normally be possible. Essentially the camcorder can combine different exposure settings into one picture.
So you can have one exposure where the shadows look nice, and one exposure where the bright sky looks nice, and the camcorder can put them together for you into one nice looking shot. How much video you can fit on a card depends greatly on the shooting format you select. This kind of flexibility adds a little complexity to the situation, where you now have to factor in the amount of uninterrupted shooting time you need versus the amount of P2 media you can afford. The key to getting the most benefit out of the P2 system is to realize that you need at least two cards, a computer and storage to make it work best.
Replace the cap when a lens is not mounted. CH2 to W. The time code indication stays on. Use these buttons to manipulate setting menus, the A second press of the button returns the previous menu bar and thumbnails. It also displays warnings and messages — indicating camera operating status and settings — zebra patterns and markers safety zone and center markers, etc.
Removing a P2 card during access could damage it. Page Basic Procedures Basic Procedures This section describes the basic procedure for shooting Note that the recording order is retained even if the power and recording.
When the power is next turned on, the last Before you embark on a shoot, pre-inspect your system to card written before powering-down will be the target card. For shooting, follow the steps below. For more information, see [Setting the Electronic Shutter] page Page Standard And Native Recording Standard and Native Recording This camera is capable both of native recording, when it Native recording records video data at the frame rate used by the camera, and is also capable of standard recording or recording Native recording extracts only the active frames during Making the settings described below will provide film-quality playback.
The P progressive mode and cine-like gamma will make video look like it was shot with a film camera. Page 41 Undercranking effects This effect produces the quick motion often used for showing clouds drifting across the sky, crowds of people swarming past a solitary standing individual, a kung fu demonstration and other performances.
For example, selecting a VFR recording frame rate of 12 fps when shooting at a 24P recording format yields a fast-motion effect of approx. It provides a variety of capture frame rates and recording frame rates native recording to suit specific applications.
Select recording and recording signal in the setting menus listed below. Page List Of Recording Formats And Functions List of recording formats and functions The table below lists the recording formats and recording functions that the camera supports.
Page Selecting Video Output Selecting video output The table below lists available video output formats. Use the setting menus listed below to select video output.
Page Setting Time Data Setting Time Data The camera provides time data such as time codes, user bits, time of day real-time data, which is recorded on each frame alongside video data. It is also recorded as as data in clip metadata files. It is also used as the reference device. Release the button to return to the regular screen.
A menu whether or camera also in video setting makes it possible to also display the zebra pattern For details on menu operation, refer to [Using the menus] page This is not a malfunction. Digital Camera Direct Cable 1. Electronic Accessory Fax Machine Hair Clippers Headphones Hole Punch 4.
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